The Imitation Zone [microform] : England and Rome in Spenser, Daniel and Drayton
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David Galbraith argues that each of the three national poems enters into a dialogue with classical and more contemporary predecessors and that this relationship ...
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By presenting historically and theoretically inflected readings of the poems, Galbraith gives new interpretation to important problems of allegory and poetic ...
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Exploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical ...
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Galbraith, David. '"The Imitation Zone": England and Rome in Spenser, Daniel and Drayton.' PhD diss., University of Toronto, 1994. - 'Petrarch and the ...
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Exploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical ...
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Architectonics of imitation in Spenser, Daniel, and Drayton / David Galbraith. By: Galbraith, David Ian, 1953-. Year: [2000]. Availability unknown: Unable to ...
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This group of poets, particularly Drayton, simultaneously imitate and alter Spenser's use of Arthurian material. In Poly-Olbion (1633). Drayton adapts Spenser's ...
Architectonics of Imitation in Spenser, Daniel, and Drayton|David Galbraith. A Madding Generation|John Nkemngong Nkengasong. Morocco Travel Guide ...
Edited by DANIEL DAVID MOSES and TERRY GOLDIE. This second edition of the now standard survey of writing in English by Canadian native people brings together a.
DA 1 G18 Galbraith, V.H. Historical Research in Medieval England. The ... Soliday, Daniel Horowitz, David Roland. Pierce, eds. A Select Bibliography of ...